Its been a while since my last post.… but after the Toronto Outdoor show, once paintings were delivered to clients and galleries, I decided to take a motorcycle road trip with a friend. We were ten days on the road, through the Adirondacks in New York, Green Mountains of Vermont, White Mountains of New Hampshire, Maine, New Brunswick and Cabot Trail of Nova Scotia, and then back again. This incredibly fun and exhilarating ride has left me fully charged to get right back to the studio and into full production mode!
Phew! The dust is starting to settle, in the aftermath of the TOAE. Overall I’d have to say I had a terrific show. I sold eight of my new encaustics, which not only lines the coffers for a while, but is extremely encouraging in terms of the more abstracted direction my work has taken.
The weather was hot — as always! — and the show was exhausting and physically demanding (as always! — artists must take home their work each night… re‐hang in the a.m.) — but the crowds were fantastic, and visitors to my booth were full of wonderful comments and appreciation for my work. Many, many people were interested in a further understanding of the encaustic process — which is truly fascinating — so I will publish a page in my blog on that shortly.
Thanks to all who attended, and to numerous friends who stopped by to say hi.
Its down to the wire (as usual!) with art show preparations! Last minute details, final touches to paintings, wiring and framing, gathering all show materials together, making sure my canopy is waterproofed!!!.… lots left to do yet.… and all fueled with a high level of pre‐show excitement/stress/anxiety/anticipation. I’m fully charged up and exhausted at the same time.
So this is my last pre‐show post. This piece is one of the farthest abstracted ones I’ve done to date. Its still about the sea, time, distance and navigation… and a powerful longing to travel — not on a plane — but real‐time travel, and to watch the sea and the land and the day unfurl as they should.…